Inside the Audio Memoirs of Barbra Streisand, Liza Minnelli, Lena Dunham, and More

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In 2015, Tony winner Marc Shaiman hung an inspirational check in his Manhattan recording studio that checked out” Slow the fuck down.” The 66-year-old author and lyricist behind Hairspray has actually carried out in almost every high-pressure setting you can possibly imagine, from Saturday Night Live to the Academy Awards. Even Shaiman sometimes got tripped up while working on what’s ended up being, for numerous performers, an essential part of their pop-culture portfolio: the audiobook narrative.

“I’m a ham,” Shaiman states. “But when it’s simply me and a microphone, my tongue obstructs of my brain.”

Shaiman invested practically 2 months assembling the audio variation of his current book, Never Ever Mind the Happy: Showbiz Stories from a Sore Winner. He took a trip to Los Angeles to snatch acoustic cameos from the similarity Billy Crystal and Nathan Lane, and consisted of a recording of a tune he carried out at his dad’s funeral service. Shaiman even assisted manage the modifying procedure, meticulously tweaking his narrative. “I’m a control freak,” he states with a laugh. “This audiobook expense me a fortune.”

Recently, investing a lot effort into an audio narrative would have appeared elegant. Hollywood tell-alls are one of the most trusted subcategories of the almost $2.5 billion U.S. audiobook market In the very first half of 2026, memoirs by Lena Dunham, Christina Applegate, Brandy, Liza Minnelli, and Hayden Panettiere all arrived at the New York City TimesAudio Nonfiction bestseller list. This fall will see a rush of brand-new titles from stars as Dustin Hoffman, Trisha Paytas, and Michael Douglas– all told by the authors themselves.

Publishers have actually been launching celeb autobiographies for more than a century, winning over countless readers with the category’s hard-knock anecdotes with hard-won knowledge. “I understand I must read Dickens or Hemingway,” states Shaiman. “But it’s a lot easier to listen to a star speak about the ups and downs of program organization.”

Hollywood memoirs didn’t move to audio best away. When audio books were initially presented in the mid-1970s, they were intended mainly at bored commuters, and existed in what one press reporter referred to as “a backwater of the book-publishing market.” (One early title was a 147-hour variation of Winston Churchill’s mega-memoir The Second World Wardivided into 98 cassettes.) Even as audiobooks grew in appeal in the 1980s and 1990s, the majority of stars decreased to tape their own memoirs for posterity– and those that did typically launched simply a couple of hours of product.

In the last years, audio memoirs have actually grown not just more popular, however more extensive, with lots of titles including initial music, visitor cameos, or once-unthinkably long run times. It would take practically a complete day to listen to Bono’s 2022 autobiography Give upwhile Barbra Streisand’s 2023 smash My Name is Barbra provides almost 50 hours of pure, uncut Babs.

At a time when even international super stars need to complete for a piece of the zeitgeist, a well-produced audiobook guarantees more intimacy– and more depth– than a podcast interview or talk-show clip.

“People are starving for gain access to,” states audiobook manufacturer and director Joan Sergay. “And audio memoirs provide a sense of humankind to individuals who, usually, feel extremely far.”

For the stars, artists, and professional athletes stepping into a recording cubicle, the procedure of making an audio narrative can be draining pipes. It needs them to invest weeks in front of a microphone and a little group of relative complete strangers, rereading their words– and reconsidering their lives– without the possibility of making applause. As audio director and manufacturer Travis Tonn informs me, “It’s unusual someone completes tape-recording a narrative and states, ‘Oh, that’s my preferred thing I’ve ever done.'”

The very best method to comprehend the increased significance of audiobooks is to drop in Penguin Random House Audio’s Los Angeles head office. Found in a mid-sized workplace complex in North Hollywood, the freshly constructed complex includes a half-dozen recording cubicles; several green spaces; and a set of premier studios that can accommodate engineers and service technicians. There’s likewise a rack including triangle-shaped Audie Awards– the audiobook market’s comparable to the Oscars– which the publisher has actually made for releases like My Name is Barbra and Tina Knowles’ MatriarchThe office, which opened in 2025, is evidence that a medium as soon as thought about specific niche has actually developed into a high-end, high-priority artform.

” When I began in audiobooks, there were times I believed, ‘Will any person listen to this?'” states Kelly Gildea, innovative director of Penguin Random House Audio Production.” Now, it’s remarkable to deal with things I understand a great deal of individuals will hear.”

Gildea was a current movie school graduate when she landed her very first audiobook task in the early 2000s. Ever since, she’s produced and/or directed many fiction releases, in addition to memoirs by the similarity Diane Keaton and Prince Harry. Directing storytellers through the recording procedure is an ability that needs persistence, an eye and ear for granular information, and the wherewithal to state– figuratively, if not actually–slow the fuck down

“Some authors get extremely anxious and check out truly quickly, since unconsciously, they’re most likely like, ‘Get me out of here,'” Gildea states. “But individuals who do movie or tv are utilized to a sort of peaceful intimacy. Adjusting that to the microphone is less of a leap than it would be for somebody who’s checking out a service book.”

Still, telling an audiobook is a distinct sort of efficiency, one every A-list author deals with in a different way. Gildea and Sergay acted as codirectors and coproducers of Dunham’s current hit Famesickin which the Women developer information years’ worth of developments and breakdowns. Dunham tape-recorded the eleven-hour audiobook variation over 6 nights at a Manhattan recording studio, surrounded by pillows and sometimes outfitted in her pajamas“She wished to be comfortable, since she was going to be sitting there for hours,” states Gildea. “I desire authors to seem like themselves, since that’s what individuals are registering for.”

Dunham’s narrative on Famesick is clearly her own: Propulsive, to the point, therefore sneakily amusing (or ravaging) that, at some minutes, you nearly require to stop briefly in order to capture up and procedure what she simply stated. “There was authentic feeling in the experience of reading it aloud,” Sergay states. “But I likewise believe her narrative is of a piece with the quantity of viewpoint she has on her past. There’s a genuine steadiness in the method she has the ability to distance herself from these experiences.”

That’s a various technique than the one Al Pacino utilized while taping his 2024 hit Sonny Boy: A MemoirThroughout more than twelve hours, the star pings in between distress and bliss. Often, he makes fun of a story as though he’s hearing it for the really very first time; at other points, his voice pains with remorse.

“He was reliving a great deal of things, and he would get choked up,” states Sonny Boy engineer Eric Garcia. “He had unbelievable insecurity. He stated, ‘Why do not I get someone to read this for me? They’ll be more expert.’ And I stated, ‘You do not comprehend: People wish to hear your voice. They wish to hear it split. Release that desire for excellence.'”

Even for well-seasoned entertainers, taping a narrative can be a psychological endurance test. “On the very first day I deal with somebody, they’re typically speaking about the worst thing that ever occurred to them,” states Tonn, who directed and coproduced Sonny BoyHe’s likewise dealt with autobiographies by everybody from David Lynch to Mike Pence. “We require to develop an instant relationship, due to the fact that individuals require to trust you.”

That trust can go both methods. Not long into the sessions for Lynch’s 2018 narrative Space to Dreamthe renowned auteur revealed he didn’t wish to stay with his own manuscript. Rather of checking out whatever on the page, Lynch retold the stories in Space to Dream with the assistance of triggers from Tonn and others in the space. “It needed to be performed in a substantial time crunch,” Tonn states. “But I found out a lot about the method he saw art. And a few of his stories had to do with being a director and believing the individual you’re dealing with, which I linked to.”

Whatever approach a superstar may consider their narrative, the objective of audiobook manufacturers and directors is to keep them talking– while likewise understanding when to provide a break.” If you’re on Broadway, and you get a word incorrect when you’re dancing, the program simply goes on,” states Tonn. “This includes a various skillset. You need to take note of information for an extended period of time. And no matter how fantastic you are, your lips and tongue will burn out. And in some cases, they’ll simply require to head out and blurt a primal yawp.”

The very first must-hear showbiz narrative came thanks to a guy who had actually been all however tossed out of Hollywood: Robert Evans, the star turned studio officer whose legal concerns and undecided ticket office record had actually made him a pariah by the early 1990s.

Evans tape-recorded the audiobook variation of his 1994 autobiography The Kid Stays in the PictureNot long after its release, the title ended up being a feeling around town. “People who have actually listened to it are simply insane for it,” one movie manufacturer informed Newsday in 1998 of the recording, which is told in the author’s distinctive, melodramatic design.

Executives distributed copies of the Kid Stays in the Picture audiobook as vacation presents. Around town, impersonating Evans’ particular voice ended up being a go-to celebration technique (Bob Odenkirk even spoofed Evans’ recording sessions in a Mr. Show sketch). The audiobook was so popular that, at one point, Michael Eisner supposedly thought about Evans to play Hades in the animated movie Hercules. Evans had actually returned from exile– all thanks to an audiobook.

Unlike Evans, who had plenty of time on his hands, a lot of showbiz memoirists of that age decreased to tell their own work. Audiobook sales faded compared to those of physical books, and the recording procedure most likely didn’t fit quickly into a super star’s schedule. It’s tough to think of, state, Marlon Brando or Michael Jackson having the persistence to hunch down in a studio and check out numerous pages from their very popular autobiographies.

It would take years before celebs taping their memoirs completely ended up being basic practice– a shift triggered by a series of technological and cultural advancements. In 2008, Amazon paid $ 300 million to acquire the audiobook business Audible, an offer that provided listeners access to numerous countless titles. Around the exact same time, tradition media started its sluggish decrease, robbing publications and television programs of much of their PR powers. As an outcome, lots of superstars started interacting through brand-new and growing social networks platforms, where oversharing was not just allowed, however frequently anticipated.

The audio narrative became the perfect format for a brand-new media dynamic, permitting stars to reach their audience straight while offering fans the first-person confessionals and thoroughly stage-managed credibility they longed for. By the 2010s, celebs like Tina Fey, Betty White, Amy Schumer, and Carrie Fisher were tape-recording their memoirs completely (and making Grammy elections for their efforts).

Today, with numerous streaming services using audiobooks as part of their membership strategies, audio memoirs have actually ended up being as essential to an entertainer’s tradition as a struck television program or chart-topping tune. And they make sure an entertainer’s voice will be heard even after they’re gone. Following Panettiere’s death in August, the audiobook variation of her narrative This Is Me: A Reckoning gone back to the New york city Times chart– this time at No. 1.

The very same innovation that’s changed how audiobooks are taken in has actually likewise altered how they’re made. Garcia has actually been operating in audio production for forty years, having actually invested the very first part of his profession playing and recording music. (” Low pay, terrible hours,” he states of that time.) He included audiobooks to his résumé about 10 years earlier, and has actually because teamed up with lots of celeb authors, consisting of Laura Dern and Diane Ladd, cowriters of the 2023 bestseller Honey, Baby, Mine: A Mother and Daughter Talk Life, Death, Love (and Banana Pudding).

“I had them dealing with each other,” Garcia states of those sessions. “And they weren’t just checking out the book– they were reliving some uncomfortable experiences. We sobbed together. And there were times when we shut down the microphone.”

Dern and Ladd’s recordings happened at 48 Windows, the Santa Monica studio owned by Garcia that deals with high-end clients. “We’re sort of fancy-schmancy,” he states. “We have natural light. And we have extraordinary customer service, so if somebody desires sushi from a specific location, we can get it for them.”

Even with those facilities, nevertheless, lots of authors choose nowadays to work beyond the studio. Stephen Curry’s schedule enabled him to tape part of Shot Ready from a hotel space. Pacino, Sharon Stone, and Arnold Schwarzenegger all dealt with Garcia from their homes– as did Streisand, who invested 3 months telling My Name Is Barbra

“I headed out to her home and discovered the quietest place,” states Garcia, who was covered in for the sessions, in addition to the remainder of the innovative group. “She worked when she could, so we were on call all the time. She’s fantastic, and her brain is moving a mile a minute, so she’s continuously refining. She’ll compose something, however she wishes to state it much better.”

Improvements in portable tech, not to point out numerous entertainers’ post-Covid choice to work from another location, indicates some celeb audiobooks are now produced with little bit more than a microphone, a laptop computer and iPad, and a great Wi-Fi connection. That’s how Don Johnson told Jimmy Buffet’s A Pirate Looks at Fifty from the star’s Montecito home (a. procedure that took a year, due to Johnson’s schedule).

No matter where the recording occurs, Garcia is constantly wishing for the very same outcomes: “I desire them to seem like they’re talking in your ear– that you can touch them.”

Like lots of in Hollywood, Garcia has actually seen AI innovation redefine or change a number of actions in the recording procedure. And considered that numerous stars– consisting of Gwyneth Paltrow and Michael Caine– have actually given AI business using their voices, an artificially produced showbiz narrative appears inescapable.

When the audio variation of Minnelli’s Kids, Wait Till You Hear This! was launched previously this year, some fans questioned if her voice had actually been digitally boosted. (The EGOT winner launched an AI-assisted brand-new tune previously this year. “Did you listen to [her] AI audiobook?,” Andy Cohen asked visitors on an episode of Enjoy What Happens Live“It is so ridiculous … it excluded all the G’s, did you observe that? She’s like: ‘Gettin’, goin’, jumpin’.”

Nic Mendoza, one of the audiobook’s coproducers, informed Vanity Fair “there was no AI utilized at all” throughout the recording of Minnelli’s narrative. Rather, he stated the group utilized a range of studio methods– consisting of a little accelerating her voice– to assist Minnelli accomplish her objective: “She wished to sound more youthful and brighter. We even utilized reverb, which is practically unprecedented in audiobooks, however Liza wished to utilize it. We needed to discover simply the ideal balance where it had a bit of shimmer because voice, however didn’t overwhelm the listener.”

Mendoza stated the procedure of telling and producing Kids, Wait Till You Hear This! took in between 6 to 7 months, with sessions occurring at a range of areas, from a Los Angeles studio to among Minnelli’s homes. Some lines were even caught while Minnelli remained in an automobile, to be rerecorded later on. (“We needed to fulfill Liza where Liza was at,” stated Mendoza.)

In the future, logistical difficulties and time needs included with producing prominent audio memoirs implies some super star storytellers will undoubtedly begin leaning on AI. “It’s going to alter whatever, and not for the much better,” Garcia states. “But human imagination will constantly be very important.”

Gildea concurs that while AI’s effect on audiobooks is still uncertain, audiences will constantly choose to hear a widely known authors’ words in his/her voice– no matter how psychological it may get. “Part of what you react to in an efficiency is ‘Wow, that was such an excellent option– what were they believing at that minute?’ And all heads out the window with AI. You can change an instrument, however you can’t change the feelings, or the experience that features it.”

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