In Canada: Canada Music Fund to Receive $67M Boost; Women in Music Executive Award Winners Share Their Wisdom

The Canada Music Fund is getting a brand-new increase from the federal government.

At last night’s ADISQ Gala in Montreal (Nov. 8), the Minister of Canadian Identity and Culture, Marc Miller, revealed that the federal government will invest $67 million to the Canada Music Fund, as part of the federal government’s guaranteed $600 million financial investment into the cultural sector. The amount was initially revealed in June to offer “instant relief” to the nation’s audio and audiovisual sector and verified for 2026-27 in the newest federal budget planwhich was tabled recently. Over the weekend, Ottawa offered a long-awaited breakdown of how the funds will be assigned.

The music sector will get its share of the relief financial investment through the Canada Music Fund, which was restored through 2028 in 2015The$67 million amount will be dispersed to the 5 companies that the fund supports, with FACTOR( Foundation Assisting Canadian Talent on Recordings) getting$31.5 million, Musicaction (which funds and supports Francophone music and music business) getting $21 million, the Canadian Starmaker Fund getting $5.7 million, the RadioStar fund getting $3.8 million and the Indigenous Music Office (IMO) getting $5 million.

Last November, the IMO launched a brand-new nationwide report laying out methods which the federal government might assist Indigenous artists and their music get in touch with larger audiences, significantly through increased discoverability on streaming platforms. Each of the funds will assist support and cultivate emerging Canadian acts and assist them complete on the world phase.

“Canada’s cultural sovereignty depends upon our determination to buy our own voices,” states Meg Symsyk, president and CEO of FACTOR. “We have amazing skill in this nation. Our duty is to consider that skill the chance to be heard, to develop enduring professions and to reach audiences here in your home and worldwide. This financial investment in the Canada Music Fund backs Canadian artists and the independent services that assist bring their music to life. We thank Prime Minister Carney, Minister Champagne, Minister Miller and the Government of Canada for acknowledging that buying Canadian music is a financial investment in who we are.”

ELEMENT, in addition to the Indigenous Music Office, CIMA, ADISQ, Bell Media, Spotify and more all took part in CRTC public hearings in 2015 to go over how to support Canadian Content.

Now, FACTOR invites the federal government’s financial investment and highlights how it will support the Canadian music sector.

“Behind every dollar bought Canadian music are artists taking the next action in their professions and Canadian business assisting them arrive,” states Symsyk. “Sustained financial investment makes it possible to look beyond the next release or trip and develop for the future.”

A number of other music companies throughout Canada are commemorating the news, with the Canadian Live Music Association (CLMA) stating it is “enjoyed see federal government acknowledge the worth that music gives Canada, its organizations, and its neighborhoods.” The Canadian Independent Music Association (CIMA) calls the extra moneying an “crucial action towards enhancing the commercial community that supports the advancement of terrific Canadian artists.”

“For years, CIMA has actually argued that the very best method to guarantee Canadians hear Canadian voices is to develop a strong environment of vibrant, internationally competitive Canadian music business serving outstanding Canadian artists,” states Andrew Cash, president and CEO of CIMA. “These are business that find, establish and support artists, produce and promote Canadian music, assist develop audiences and produce chances for Canadian artists to reach listeners both in the house and worldwide. This financial investment is a crucial dedication, and a clear indicator that the federal government has actually listened to the music sector.”

The federal government’s brand-new financial investment means to bring stability to the cultural sector as “longer-term policy, regulative and market conditions develop,” such as the Online Streaming Actwhose application continues to be the topic of much argument in between the Canadian Radio-television and Telecommunications Commission (CRTC), streaming giants and the United States, which has actually made the CanCon fund requirements for significant foreign-owned streaming services a sticking point in trade settlements.

Find out more here — Stefano Rebuli

Signboard Canada Women In Music Executive Award Winners Share Their Wisdom

The live music sector is prospering more than ever in Canada. In her function as primary business officer of Live Nation Canada, Melissa Bubb-Clarke is assisting it skyrocket towards brand-new heights.

On Nov. 24, she will accept the Executive of the Year Award at Billboard Canada Women In Musicacknowledging the crucial work she does behind the scenes, assisting Canada’s live music giant scale its operations amidst a quickly growing market, through working together and partnering with business brand names.

The marketplace leader in the nation, Live Nation Canada has actually seen record success and income figures over the last couple of years, however in numerous methods Bubb-Clarke and the group she deals with are simply laying the structure for an even larger future.

In its 2nd season this summer season, the 50,000-capacity Rogers Stadium invited a brand-new record variety of 20 shows to Toronto, drawing record-setting trips by headliners like Bruno Mars, BTS, Karol G and more. RBC Amphitheatre likewise began its very first season under its brand-new name and collaboration with RBCwhich showed up along with strategies to end up being a year-round place by 2030There are more A-list artists pertaining to town than ever, however beyond inviting programs, Bubb-Clarke is contending to develop locations that use an ideal experience for not simply the artists playing them, however likewise the fans concerning see their preferred artist.

Preparing to accept the Billboard Canada Executive of the Year Award has actually provided Bubb-Clarke the chance to assess the significant strides she and her group have actually been making in the live music landscape over the previous a number of years.

In an interview with Signboard CanadaBubb-Clarke compares music to her operate in sports at her previous business Maple Leafs Sports & & Entertainment (MLSE), which owns the Toronto Maple Leafs and Toronto Raptors.

“I can provide you a million reasons that I believe music is as much of an engaging offering, if not more, than sports. There are more performances at Scotiabank Arena than there are Leafs and Raptors video games integrated. From a group viewpoint, we’re serving whatever to everyone with our 4,000+ reveals that we do throughout Canada here with Live Nation. We do every market, every age, all sorts of designs of music, I believe we are incredibly fan-friendly because method.”

“I believe we have actually had the ability to comprehend what the fans have actually concerned get, what they have actually had the ability to experience at a sports place. They’re searching for a comparable experience at a program. They wish to have the ability to have great food and go to a particular location post-show or pre-show and have a fantastic total experience.”

Check out the complete interview here

In her double function as the president of MusiCounts and the chief running officer of CARAS, the company behind the Juno Awards and the Canadian Music Hall of Fame, Kristy Fletcher affects every phase of a Canadian artist’s profession.

Through music education charity MusiCounts, she’s there at the start, offering access to instruments and musical education to provide youth an opportunity to make music in the very first location. At CARAS, she’s able to cultivate and establish the market and acknowledge artists at the Juno Awards. That continues all the method till the later phases of their profession, when they end up being Hall of Famers.

On Nov. 24, Fletcher will accept the Impact Award at Billboard Canada Women In Musicacknowledging the crucial work she does impacting artists both onstage and in class, from Rush’s surprise resurgence efficiency at the 2026 Juno Awards to young trainees who may be Canada’s next advancement rock stars.

This year, MusiCounts revealed a $1.4 million contribution to support music education in Canadian schools, the greatest financial investment in the business’s history. Through the MusiCounts School Music Funding Programs, 96 schools throughout the nation will get assistance for their music programs in the middle of increasing budget plan cuts and deficits in Ontario and throughout Canada.

“Music is such a fundamental and basic part of advancement and development for kids,” Fletcher states. “Think of all of the unbelievable advantages that music has on kids. It’s a method to figure out their feelings or reveal their sensations and ideas, and it can enhance psychological health amongst youth. We have actually seen a lot of research studies music supports strong and healthy psychological health, and establishes favorable self-confidence. There are research studies revealing better cognitive capabilities with playing music.

“MusiCounts needs to exist to assist fill out a few of those spaces, and the spaces do grow. We’ve been doing this work for nearly 30 years and we’ve designated over $22 million to schools and neighborhood programs throughout the nation. You would believe we would possibly be nearing completion of the work we need to do, which’s simply not the case. We’re simply scratching the surface area. That has actually permitted us to increase our shows.”

Check out the complete interview here— Richard Trapunski

Sean Paul Stars in First Episode of Signboard Canada News

“Canada has actually affected my music in lots of methods,” states Sean Paul.

The Jamaican star is the topic of the very first episode of Signboard Canada Newslive now.

In a revealing half-hour interview hosted by Alicia West, Paul discusses the crucial function that Canada played in his come-up. He guested on the Baby Blue Sound Crew tune” Money Jane” with Toronto hip-hop and R&B heroes Kardinal Offishall and Jully Black.

“I was simply&informing someone last night. They asked me who was the very first individual to put you on, provide you a collab? And I stated Kardi. Kardi Offishall,”he states. “First individual to pay me, initially individual to put me on a track, I constantly state.”

He likewise discusses shooting crucial advancement video”Gim me The Light “and”Get Busy “with Canadian director Director X(then Little X)and dancer/choreographer Tanisha Scott, both long time partners. His connection returns even further, with his grandpa living in Scarborough, Ontario when he was young.

It’s a comprehensive discussion about his entire profession, from his greatest chart strikes to his partnerships with significant pop stars like Rihanna and Sia. He likewise speaks about his assistance of Jamaica following Hurricane Melissa.

Enjoy the complete interview on Signboard Canada News listed below. — Richard Trapunski